Myths changing over time

I was just thinking about the modern re-working of the Persephone myth… the one where She and Hades are actually in love and elope instead of Him abducting Her.  I’m not going to bother digging up references- it’s all over the Pagan community, and even outside it (Messner-Loebs and Keith’s Epicurus the Sage has an amusing example…).  I’ve heard a few polytheists grousing about such modernizations, claiming that they are disrespectful to the Gods involved, and constitute a “politically correct” whitewashing of the truth.

I don’t agree.  Myths are sourced in the Gods and the holy, but they were given form by human minds and human culture.  Whether you think that the Gods change or not (I have my thoughts on the matter, which I may touch on at a later date), human thinking and culture do change, and have changed quite radically since the time the Greek myths were formulated.  Marriage by capture was widely practiced in the ancient Mediterranean, but it’s no longer something considered acceptable in the cultures that formed modern Paganism.  The lens changes, the image changes – even though the source of light remains the same.

This doesn’t mean that I can go around changing myths just because they make me feel uncomfortable or unhappy.  The Gods have the last word on Their stories, and should always be consulted.  I can’t speak for practitioners of Hellenismos or other Greek reconstructionist Pagan traditions, but I know that my group has sung songs for Persephone that use the modern form of the myth- and She was pleased.

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Praises to Brigid

Something I wrote recently:

Praises to Brigid

Hail Brigid, thrice great, thrice powerful, thrice blessed!

I arise today in praise of You,
O Brigid.
For the blessing of water I praise You,
O Brigid.
For the blessing of fire I praise You,
O Brigid.
For words on my tongue I praise You,
O Brigid.
For skill in my hands I praise You,
O Brigid.
For cradle and hearth I praise You,
O Brigid.
For the protection of the fian I praise You,
O Brigid.
For justice for the weak I praise You,
O Brigid.
For healing for the sick, I praise You,
O Brigid.
For keening for the dead I praise You,
O Brigid.
For Your mantle around the Earth I praise You,
O Brigid.

Bíodh sé amhlaidh!

Ursula K. LeGuin

Ursula K. LeGuin was one of the first writers I came across when I discovered fantasy fiction.  I found her Earthsea Trilogy fascinating in concept, absorbing in detail, captivating in character… and ultimately, disappointing in its philosophy.  Still, I hold a deep love for the second book, and the work as a whole sparked my early interest in Taoism.

She was a profound influence on modern fantasy and science fiction… John Scalzi described her as “the spiritual mother of generations of writers.”  She was an outspoken feminist and a strong believer in the moral and intellectual value of SF&F.  She believed passionately in the power of imagination to make the world a better place.

I can’t think of a more fitting epitaph for her than her own words:

“Only in silence the word,
Only in dark the light,
Only in dying life:
Bright the hawk’s flight
On the empty sky.

—The Creation of Éa”

Sometimes we’re living in science fiction. Sometimes it’s more like a Borges story.

[I used to publish my non-devotional poetry on my LiveJournal account, but their recent TOS changes make me unwilling to do so.  Until I figure out whether I’m going to bother with Dreamwidth for anything other than reading others’ journals, I’m going to post it here when I feel so moved.  Honestly, since I dedicate all my poetry to Brigid, none of it is actually non-devotional…]

Inspired by this article from Atlas Obscura, I give you:

Uncharted

In some wind of internet terrain,
A program waits, patient, bits
Ticking over.  The glass turns, algorithms wake-
Random bumps appear, are eroded;
Meticulous calculations churn for
Ninety seconds (geologic ages in server time),
And maps emerge- mountains looming over valleys,
Coastlines carved in with bays and capes,
Islands jewel-scattered across oceans.
All this done in hand-drawn style,
Fantasy-labeled with names hinting of
History and deep language, fit for the
Endpapers of novels.  An atlas
Building itself from water and topography
Every hour- and the rivers always reach the sea.

She also rules hearth and home

I dream of the bones, risen ghosts
Flitting fitful from longer poems,
And wake to a more concrete set
Of tasks, still given by Her.
The heart-deep fires She commands
Are also hearth-warmers, and do not
Light themselves.  So, to, inspiration
Leads to a stropped blade, then the sting
Of onions chopped to sizzle, and lay
The ground for alchemy of oil and spice,
Meat and sauce. Her candle burns in the glass,
Casting a blessing glow on the pot
Bubbling slow, transforming, as water
Soap and scrubbing set right the aftermath.
Now only to wait, stir and taste, and let
The spell of sustenance unfold in time.

  • 1/22/17

W&P #32 – Polytheism

I just finished reading the Polytheism issue of Witches and Pagans, and it’s a winner.*  As well as a mind-expanding essay by Edward Butler and good solid pieces by Gus DiZerega, Galina Krasskovka, Niki Whiting and Silence Maestas, there was an excellent letter from John Beckett on what makes religion work.

* Of course, I’m also happy that there’s a review and a poem by yours truly in it… 😉

Poem

[Something I wrote a couple of months ago…]

We cannot do this: see the world as They do-
Somewhat removed from time, suspended in
A suffusing, after-storm light, wet gold
In the west; a renewal even at sunset,
A promise more freighted with subtle awe
Than a rainbow; a pregnant peace, cloud-
Formed magic on high meeting the damp below.

Or as She sees it, as all Muses do-
All things as words to a poem, parts
To the greater work, fuel or tool or
Metal ready for the forge; gems to set
Just so, refracting; the shape emerging
Under patient hands, carved or pulled
Or picked out by paint, shaded into life.

But They cannot (choose not?) to touch direct
The world of hours; upswing, downfall,
Chrysalis-change; our senses are the ones
To take in this dust and delight, our hands
The only to mold the mortal; They may guide, order,
Even drive our actions, but our blood, brains,
Will and thews are the means of making.

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